Sunday, November 22, 2009
Wednesday, November 18, 2009
Acourstic Poem For Republicans
Currently the Regional curatorial be Socialize your curatorial projects ALEJANDRO BURGOS
Curator entitled
Day: 20 and November 21
Time: 9:00 Am Place
: Conference Room of the Municipal Institute of Culture and Tourism of Bucaramanga
Invites Fine Arts Ministry of Municipal BucaramangaInstituto Culture and Tourism of Culture
BucaramangaMinisterio
Free admission
Alejandro Burgos Bernal. He began his studies in philosophy and letters at the Universidad Nacional de Colombia, obtained a grant from the Italian government and concluded at the Universita degli Studi di Roma "La Sapienza". There also, in collaboration with the macro (Museo d'Arte Contempora-nea di Roma) - studied MA in curating contemporary art exhibitions. Currently lives in Bogotá. He has published in Colombia and Spain. In 2001 he won the International Poetry Prize Gabriel Celaya Dulcamara with the book, published in Va-lence in the same year by the editorial Germania.
Friday, November 13, 2009
How Do You Make Yourself A Cat On Oovoo
SECOND OPENING NOVEMBER 6, MUSEUM OF MODERN ART, UIS Bucaro, Alliance Française, HOUSE OF CULTURE CUSTODIO GARCIA ROVIRA. 13 SRA.ORIENTE
Wednesday, November 11, 2009
Monday, November 9, 2009
Colors Mean In A Lung Ct Scan
CONSERVATORSHIP PRESENTATION HERE AND THE OTHER SIDE OPENING
The body can be understood as a projection of the idea of \u200b\u200bterritory and their meanings, which come together to be their desires, aspirations and contradictions, roads organic confluence of the sacred and the dark. In the body and its various transformations, reveal aesthetic concepts, consumerism and fashion, gender and identity issues and generally making that bridge between public and private. In
the landscape, the artist finds the opportunity to recognize and re-order mean forces, finding a place in the universe, to interpret the dynamics of natural phenomena and establish its existence as a dance between divinity and matter. This is a correlation that every day, in this present crisis, better understanding their interdependence, but at the same time, the scene of conflict, by the degeneration of sophistication or perhaps the idea of \u200b\u200bterritory, makes visible the uncertainty brought about by the forces of power and anxiety of being uprooted.
Spirituality, an element that now seems to belong only to the past, it is vital in the search to correlate the body, landscape and the dynamics of politics with the insistent forces of homogenization of society, either by the uncertain vicissitudes of globalization, or by the systematic construction of human praxis delivered to the comfort and skepticism from a sophisticated machinery of seduction and dream a new reality in asepsis and beautification.
Moreover, loss of sense of political highlights the exile of the contemporary society, individualism, setting a new Narcissus, no longer enamored of his image reflected in water, but of his own shelter, built with media device architecture, which protects a critical reality and gives, in return, happiness at home in the refinement of technologies and supermarkets, in an "every man for himself." Regions like ours, northeastern Colombia, ordered the sway of nature and the ideological whims of two leaders, in a back and forth from one side that affects millions of people, not uncritical public support, without memory, forget a cultural history woven second to second for each family ties, neighborhood and economy, drawn nothing more, nothing less than the dynamics of living.
THE ARTIST
artists in the northeastern region have taken some perceptions of reality that affects them and affects others, and have had some processes which aim to interpret that reality.
their own way have made the dynamics of guardianship, either because their personal reflections and practical and fit into them, or because their strategic ways to make the art they had the flexibility to take on areas of conceptualization embedded in the paper live all of us.
On the other hand, some addressed the issue of domestic violence in Colombia, citing the military presence in chapters of degradation and slaughter in rural and urban areas in armed conflict or military intervention in academic spaces in the proposals of Victor Hugo Garavito, Emilio Esteban and Julio César Rodríguez.
A unique case in the way addresses the political from the existential meaning of the individual is to Tommys Yamira Arroyo. In this s performance the artist uses the metaphor of the Columbian as a representation of human beings engaged in a system of domination and liberation. Another case that diverges over others is the proposal of Oscar Salamanca, who through art gas approach, avoids the subject and presents a kind of legitimate company or opportunity in the virtual to be recognized as an artist on the circuit art.
In almost all the artists exploring the landscape, the solutions are built from the political and even ecological, that is the case of Carlos Julio Quintero, who deals with nature in the archaeological sense to find the object in an act of dehumanization, as if it were a metaphor of violence. Furthermore proposals Jairo Ospina, Arnulfo Medina and Rafael Sanchez assume representative of a regional landscape as a matter of politically manipulated by the introduction of foreign stereotypes, the landscape and travel as a discovery of displacement, the ephemeral nature of the house and illusion, and also the way the landscape is associated from body and the absence in the expulsion of a territory.
trade body, the body is not idealized specific rises in marginal economies, from a noble sculptural technique such as terracotta, urban but naked bodies, which reveal the human in the field that deforms warmly in the daily work, is what we see Hector Julio Navarro. For his part Luis Brahim refers to the ephemeral nature of the body, life, if you will, the volatility in the metaphor of festive balloon filled with helium, with faces painted to be reduced as sediment past experiences and characters. The body marked with wire, cut after cut, feminine nature that creates its course in pain, veils penetrable generating facility, between the telos and sewing a sense of fragility, lightness and promotion in Yamile Manrique.
photographs that generate a rate of relief, sitting posture in public space, floor and color, create pedestrian and public space in which anonymity is possible to recognize a latent spirituality in behavior that expands the body dialogue with the landscape, is the suggestion Yadira Polo. José Antonio Díaz problematizes the gaze from the photograph, a trap that exposes the viewer, who is actually who sees the act of prying television after some viewers unrealistic and addressed since childhood.
While we assert that every creative act is spiritual, if we approach it as a theme in the works, are really small: the proposal of the Collective Nomads audiovisual displays an attitude that transforms the landscape into a kind of game that past experiences and feelings it evokes ancient rituals, the paintings of Pablo Pérez Godoy address the relationship of being and the landscape from the simplified image of the body as well as momentous stories of human beings and the relationship of the frontier as transcendence, simplicity and simulated images that indicate a psychological complexity. REGION
whole region denotes a rising level in the proposals. The most interesting was the willingness of artists to create a feedback process that transcends art objects and creates a real dynamic of interaction, a region in different cities requires living strategies of participation, as there is a great desire to respond through art some contexts and realities that reflect local reality in the world.
The thematic talks by theorists guests, visits to workshops and counseling, in some cases, the processes of creation, allowed an atmosphere of trust that reflects a region willing to create change and strengthen its scope .
There is a willingness to express the critical attitude towards the political, in daily life as the affecting socio-economic and openness to the art object reconstruction from dynamic untimely as the conceptual necessity, ie, a mobility capability in the configuration of creative strategies, as critical experience. On the other hand, there is a reality among the actors who have approached from different levels of training, a willingness to share regardless of the seniority of the artists or youth in the processes, which stimulates and facilitates a fertile ground for change and training .
The region as a cluster of diversity and convergence, responded very positively to the coordinates set forth by the curator, and the presentations will attest to the diversity and artistic quality and conceptual.
FROM HERE AND ON THE OTHER SIDE on the threshold we all are.
In such a body made of five elements, earth what is hard water that is liquid, fire is hot, wind moves, which is hollow space. The earth support, water cohesive mass, the fire lit, the wind distributes chemicals and provides space site. Fragments for a history of the human body, 1 ª. , Michel Feher, Taurus. CONSERVATORSHIP
This curatorial displays four edges or dimensions of the human being, body, landscape, spirituality and politics that can detect and guide the artistic practices that enable thought, stage, generate awareness and document processes and dynamic principles of artistic behavior in the region.
In such a body made of five elements, earth what is hard water that is liquid, fire is hot, wind moves, which is hollow space. The earth support, water cohesive mass, the fire lit, the wind distributes chemicals and provides space site. Fragments for a history of the human body, 1 ª. , Michel Feher, Taurus. CONSERVATORSHIP
This curatorial displays four edges or dimensions of the human being, body, landscape, spirituality and politics that can detect and guide the artistic practices that enable thought, stage, generate awareness and document processes and dynamic principles of artistic behavior in the region.
The body can be understood as a projection of the idea of \u200b\u200bterritory and their meanings, which come together to be their desires, aspirations and contradictions, roads organic confluence of the sacred and the dark. In the body and its various transformations, reveal aesthetic concepts, consumerism and fashion, gender and identity issues and generally making that bridge between public and private. In
the landscape, the artist finds the opportunity to recognize and re-order mean forces, finding a place in the universe, to interpret the dynamics of natural phenomena and establish its existence as a dance between divinity and matter. This is a correlation that every day, in this present crisis, better understanding their interdependence, but at the same time, the scene of conflict, by the degeneration of sophistication or perhaps the idea of \u200b\u200bterritory, makes visible the uncertainty brought about by the forces of power and anxiety of being uprooted.
Spirituality, an element that now seems to belong only to the past, it is vital in the search to correlate the body, landscape and the dynamics of politics with the insistent forces of homogenization of society, either by the uncertain vicissitudes of globalization, or by the systematic construction of human praxis delivered to the comfort and skepticism from a sophisticated machinery of seduction and dream a new reality in asepsis and beautification.
Moreover, loss of sense of political highlights the exile of the contemporary society, individualism, setting a new Narcissus, no longer enamored of his image reflected in water, but of his own shelter, built with media device architecture, which protects a critical reality and gives, in return, happiness at home in the refinement of technologies and supermarkets, in an "every man for himself." Regions like ours, northeastern Colombia, ordered the sway of nature and the ideological whims of two leaders, in a back and forth from one side that affects millions of people, not uncritical public support, without memory, forget a cultural history woven second to second for each family ties, neighborhood and economy, drawn nothing more, nothing less than the dynamics of living.
THE ARTIST
artists in the northeastern region have taken some perceptions of reality that affects them and affects others, and have had some processes which aim to interpret that reality.
their own way have made the dynamics of guardianship, either because their personal reflections and practical and fit into them, or because their strategic ways to make the art they had the flexibility to take on areas of conceptualization embedded in the paper live all of us.
thus something had to propose thematic edges, was the imminent visitation of the four dimensions. For example, how to avoid the presence of politics in our landscape, or being indifferent to the spiritual connections that overflow of any encounter with the body? Of course this is reflected in the works of the artists, works that make up even sometimes all subjects.
In this sense, the issue raised most often is the political aspect that is relevant in a highly politicized environment like that of the region, a binational conflict whose real or apparent complexities are becoming more tangible. Some are very direct in their approach, for example, by structuring its proposal from the irony by manipulating representative images of the "homeland" or product market, or reflecting on specific chapters of political events featuring Chávez-Uribe. Or in other case creating frameworks of landscape, product, history and militarization, we speak of works Oswaldo Barreto, Gabriel Castillo, Alexandra Morelli, Hernando Cruz, Annie Vazquez Alberto Enrique Borjas.
At other times the idea of \u200b\u200bboundary is approached from a mechanical relationships, listening to popular voices in different populations of the border zone, or generating social dynamics of mobility around identities in the workplace such as the potters , where Diana works and Néllyda Amparo Cardenas Villamizar.
On the other hand, some addressed the issue of domestic violence in Colombia, citing the military presence in chapters of degradation and slaughter in rural and urban areas in armed conflict or military intervention in academic spaces in the proposals of Victor Hugo Garavito, Emilio Esteban and Julio César Rodríguez.
A unique case in the way addresses the political from the existential meaning of the individual is to Tommys Yamira Arroyo. In this s performance the artist uses the metaphor of the Columbian as a representation of human beings engaged in a system of domination and liberation. Another case that diverges over others is the proposal of Oscar Salamanca, who through art gas approach, avoids the subject and presents a kind of legitimate company or opportunity in the virtual to be recognized as an artist on the circuit art.
In almost all the artists exploring the landscape, the solutions are built from the political and even ecological, that is the case of Carlos Julio Quintero, who deals with nature in the archaeological sense to find the object in an act of dehumanization, as if it were a metaphor of violence. Furthermore proposals Jairo Ospina, Arnulfo Medina and Rafael Sanchez assume representative of a regional landscape as a matter of politically manipulated by the introduction of foreign stereotypes, the landscape and travel as a discovery of displacement, the ephemeral nature of the house and illusion, and also the way the landscape is associated from body and the absence in the expulsion of a territory.
An isolated case in the way of approaching the landscape is that of Oscar Abraham, who makes a kind of taxonomy of the landscape as a stereotype. Assumes funding landscape for portrait photography as a popular artificial nature or others, approaching a sociological and anthropological aspects of painting emerges through photography.
body edge is approached in a more diverse, more particularly sub thematically by each artist. The body contained in the space, the body itself, and specific everyday self, which expands well as light and aesthetic reality Camila Breton, the body that grows from the product packaging as a monster who delights in consumption dilemma between recreational and sea exaltation non-biodegradable waste, cross-cultural beings from the tin and plastic circulating the proposal Luis Saray.
trade body, the body is not idealized specific rises in marginal economies, from a noble sculptural technique such as terracotta, urban but naked bodies, which reveal the human in the field that deforms warmly in the daily work, is what we see Hector Julio Navarro. For his part Luis Brahim refers to the ephemeral nature of the body, life, if you will, the volatility in the metaphor of festive balloon filled with helium, with faces painted to be reduced as sediment past experiences and characters. The body marked with wire, cut after cut, feminine nature that creates its course in pain, veils penetrable generating facility, between the telos and sewing a sense of fragility, lightness and promotion in Yamile Manrique.
photographs that generate a rate of relief, sitting posture in public space, floor and color, create pedestrian and public space in which anonymity is possible to recognize a latent spirituality in behavior that expands the body dialogue with the landscape, is the suggestion Yadira Polo. José Antonio Díaz problematizes the gaze from the photograph, a trap that exposes the viewer, who is actually who sees the act of prying television after some viewers unrealistic and addressed since childhood.
While we assert that every creative act is spiritual, if we approach it as a theme in the works, are really small: the proposal of the Collective Nomads audiovisual displays an attitude that transforms the landscape into a kind of game that past experiences and feelings it evokes ancient rituals, the paintings of Pablo Pérez Godoy address the relationship of being and the landscape from the simplified image of the body as well as momentous stories of human beings and the relationship of the frontier as transcendence, simplicity and simulated images that indicate a psychological complexity. REGION
whole region denotes a rising level in the proposals. The most interesting was the willingness of artists to create a feedback process that transcends art objects and creates a real dynamic of interaction, a region in different cities requires living strategies of participation, as there is a great desire to respond through art some contexts and realities that reflect local reality in the world.
The thematic talks by theorists guests, visits to workshops and counseling, in some cases, the processes of creation, allowed an atmosphere of trust that reflects a region willing to create change and strengthen its scope .
There is a willingness to express the critical attitude towards the political, in daily life as the affecting socio-economic and openness to the art object reconstruction from dynamic untimely as the conceptual necessity, ie, a mobility capability in the configuration of creative strategies, as critical experience. On the other hand, there is a reality among the actors who have approached from different levels of training, a willingness to share regardless of the seniority of the artists or youth in the processes, which stimulates and facilitates a fertile ground for change and training .
The region as a cluster of diversity and convergence, responded very positively to the coordinates set forth by the curator, and the presentations will attest to the diversity and artistic quality and conceptual.
The different languages \u200b\u200bcome together in the final selection, a painting that is strengthened and amalgamating a video sculpture, sculpture that is energized from traditional languages \u200b\u200bsuch as clay and made ready to host the waste, installation and photography, as well as proposals that interact with community activists from the performative and the virtual space.
Thursday, November 5, 2009
Staph Infection On The Face
CONSERVATORSHIP OF THE OTHER SIDE HERE AND HAVE THE PLEASURE OF INVITING
THE OPENING OF THE SHOW
13 REGIONAL ARTISTS -
EAST AREA MUSEUM OF MODERN ART BUCARAMANGA
7 PM
BUCARAMANGA FRENCH ALLIANCE
HOUSE OF CULTURE Custodio García Rovira
TUI BUCARO
Wednesday, October 21, 2009
What's The Best Bang Bros
museum design PRODUCTION ASSEMBLY AND RECORD SELECTION
Session 2 Meeting and discussion with group members on the museum's curatorial approach. SECOND DAY
Session 3 CASE STUDY: PRODUCTION OF WORK IN SITU PRODUCTION vs
existing work session to meet and talk with members of the group on the status of that is the production of works
Session 4
JAIME CERON
SUNDAY 25 AND MONDAY 26 OCTOBER 2009 9:30-12m
2:30-5pm WHERE: MUSEUM OF MODERN ART BUCARAMANGA
SUNDAY 25 AND MONDAY 26 OCTOBER 2009 9:30-12m
2:30-5pm WHERE: MUSEUM OF MODERN ART BUCARAMANGA
FREE ENTRY
PRESENTATION ASSEMBLY AND PRODUCTION
museum design art as a social practice, is comprised of disciplines, professions and a range of fields, which are organized around different activities. Notions such as the artistic movement, wherein lies the public staging of artistic practices involving conceptual thinking and operational and logistical work that in many cases can not differentiate between whether a neat. In that vein the Chair aims to review the concepts of museology, artistic editing and production linked to the realization of an exhibition project. For this reason review requirements before and after the installation of an exhibition where the projection is situated museum fictions present in the installation script, as well as the creation or intervention of the spaces or contexts that require work and exhibitions. The lecture is presented as an inquiry into the conceptual, operational, technical and logistical compromise the public staging of an exhibition
WORKING STRUCTURE IS AS FOLLOWS: FIRST DAY
Session 1
PRESENTATION ASSEMBLY AND PRODUCTION
museum design art as a social practice, is comprised of disciplines, professions and a range of fields, which are organized around different activities. Notions such as the artistic movement, wherein lies the public staging of artistic practices involving conceptual thinking and operational and logistical work that in many cases can not differentiate between whether a neat. In that vein the Chair aims to review the concepts of museology, artistic editing and production linked to the realization of an exhibition project. For this reason review requirements before and after the installation of an exhibition where the projection is situated museum fictions present in the installation script, as well as the creation or intervention of the spaces or contexts that require work and exhibitions. The lecture is presented as an inquiry into the conceptual, operational, technical and logistical compromise the public staging of an exhibition
WORKING STRUCTURE IS AS FOLLOWS: FIRST DAY
Session 1
A CONVERSATION INTRODUCTION STAGING ON PUBLIC DISPLAYS THAT WOULD BY TITLE: Improvements to
FILMS
talk with members of the group
FILMS
talk with members of the group
Session 2 Meeting and discussion with group members on the museum's curatorial approach. SECOND DAY
Session 3 CASE STUDY: PRODUCTION OF WORK IN SITU PRODUCTION vs
existing work session to meet and talk with members of the group on the status of that is the production of works
Session 4
CASE STUDY: TWO MODELS OF PRODUCTION OF SPACE
session to meet and talk with members of the group on the state in which production is and / or adaptation of facilities.
session to meet and talk with members of the group on the state in which production is and / or adaptation of facilities.
Wedding Sponsor Letter For Weddings
13 MINUTES OF SELECTING REGIONAL ARTISTS 'SALON
CONSERVATORSHIP OF HERE AND THE OTHER SIDE
Today Saturday October 17, 2009 after having assessed the proposals in the respective cities where they were assembled the works chosen ( San Cristobal, Cúcuta and Bucaramanga) gathered at the Universidad Industrial de Santander host-Bucharest, the members of the selection of the curator of here and across-13 Hall Regional Artists East Zone consists of:
Nydia Gutierrez (tutor ), and Eduard Tolosa Germain Velasco (healers) proceeded to re-evaluate the whole and each of the proposals according to the parameters of the call, after which it was made the final list of artists selected by 13 regional artists SALON-East zone.
Of the 39 artists chosen the following artists were selected:
1. Alberto Enrique Borja Rojas. Bucaramanga (Zigaretten)
2. Annie Vazquez. San Cristóbal (Landscape denatured)
3. Arnulfo Medina Carreño. Bucaramanga (House passed)
4. Camila Breton. Bucaramanga (From the series: With-held)
5. Carlos Julio Quintero. Bucaramanga (Archaeology)
6. Diana Villamizar. Cúcuta (the everyday)
7. Emilio Esteban Prada. Bucaramanga (Wiped out)
8. Ender Rodriguez. San Cristóbal (Renaissance)
9. Gabriel Castillo. Cúcuta (Symbologies homelands)
10. Hector Julio Navarro. Cúcuta (Table Urbano)
11. Hernando Cruz. Cúcuta (Series Aneurosis)
12. Jaime Martínez. Cúcuta (Ondine)
13. Jairo Leal Ospina. Bucaramanga (Chicamocha)
14. José Antonio Díaz. San Cristóbal (The Mirones)
15. Julio César Rodríguez. Bucaramanga (The riot police finally entered college)
16. Luis Miguel Brahim. Cúcuta (Metamorphoses)
17. Luis Alberto Colmenares Saray. Bucaramanga (Consumonsters)
18. Alexandra Maria Morelli. Cúcuta (The Follies Emperor)
19. Nellyda Amparo Cardenas. Cúcuta (The Promised Land)
20. Neryth Yamile Manrique. Bucaramanga (Tours)
21. Oscar Abraham Pabon. San Cristóbal (Photographic Studies-Fund)
22. Oscar Salamanca. Bucaramanga (Agency ACI ACI)
23. Osvaldo Barreto. San Cristóbal (Landscape with birds of northern South America)
24. Pablo Perez Godoy. San Cristóbal (Traces of Stupidity / Virgenyo? / Only fools go to heaven)
25. Rafael Dario Sanchez. San Cristóbal (The invisibility of death in the landscape-body)
26. Yamira Tomys Arroyo. Bucaramanga (World of colommbinas (phase XI and XII))
27. Victor Hugo Garavito. Bucaramanga (My Angel or mutations of the body)
28. Relief Yadira Polo. Bucaramanga (communicating vessels)
The process culminated in the selection list at 5:00 pm. On 17 October 2009. In witness whereof, we sign: Nydia Gutiérrez
Guardian de Venezuela CA 1583084 Germain
José Hernández Toloza CC
91,226,969
Curator of Bucaramanga
Velasco Eduardo Mateos
19,417,835 Curator of Bogotá DC
Saturday, October 17, 2009
Dishwasher Troubleshooting White Film
BUCARAMANGA PRESET EXPOSURE Bucaramanga Cúcuta
PLACE AND DATE Macaregua Chamber Headquarters TUI Bucaro,
Carrera 19 No. 35-02.
Saturday October 17th Time: 7:00
pm Casa de la Cultura Custode Garcia Rovira,
Calle 37 No 12-46.
Saturday October 17th Time: 7:45 pm
Tuesday, October 13, 2009
Ski Doo Blowing Light
Arnulfo Medina
TEMPORARY HOME
Video 12:41 min
2009
Ospina Jairo Leal
Chicamocha
720x240x100
Fotografía
2009
Oscar Salamanca
ACIACI
Variables
Net Art
2009
Collective Ambulances
Ersilia
Variables (150 x 80 cm)
Action / Assembly
2009
Otto Hugo Ríos Garrido
Grain by grain
Variables
Installation public space
relational Project
2009
Otto Hugo Ríos Garrido
AMBALLAN
Variables
public space installation
relational Project
2009
by Yadira Lobato
Vases communicants
180 x 150 x 1 cm
Digital Photography
2009
Luis Palace
Consumonsters
5 pieces Variables
synthetic plastics waste assembly
2009
Prada Emilio Esteban
wiped
NN ash on canvas
300x 150 x 8 CM
2009
GROUP casus belli. Oscar Enrique Villamizar , Carlos Augusto García
The Pielroja
Digital Printing
29 x 19 x 7 CM
2009
Victor Hugo Garavito
My Angel or body Mutations
Photo
180x130cm Diptych
2009
Carlos Julio Quintero
Arqueologías
Archaeology
Variables
2008
Augusto Vidal
Map
Mixed ( Installation on floor and Wall)
Variables
Floor: 230 X 210 X10 cm.
Wall: 200 x 60 cm.
2009
Tomys Yamira Arroyo
World of Colommbinas (phase XI Y XII
Performance
2009
Camila Breton
In the series contents "runaway"
Digital Photo Print Back Lite
120 x 120 CM
2009
Neryth Yamile Manrique
Tours
Installation. Thread embroidery on tulle
200x200X200 CM
2009
Julio César Rodríguez
The riot police finally entered the University
Photo
180x65CM
2009
Maria Margarita Ardila
Pongale Darling al Monte
Mixed
122x140x8 CM
2008
Alberto Enrique Borja Rojas
Zigarette
-Joint Installation
Variables
2009
Renata Mayra Monsalve
names on the bridge
180x30 CM
Photo
2009
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