JAIME CERON
SUNDAY 25 AND MONDAY 26 OCTOBER 2009 9:30-12m
2:30-5pm WHERE: MUSEUM OF MODERN ART BUCARAMANGA
SUNDAY 25 AND MONDAY 26 OCTOBER 2009 9:30-12m
2:30-5pm WHERE: MUSEUM OF MODERN ART BUCARAMANGA
FREE ENTRY
PRESENTATION ASSEMBLY AND PRODUCTION
museum design art as a social practice, is comprised of disciplines, professions and a range of fields, which are organized around different activities. Notions such as the artistic movement, wherein lies the public staging of artistic practices involving conceptual thinking and operational and logistical work that in many cases can not differentiate between whether a neat. In that vein the Chair aims to review the concepts of museology, artistic editing and production linked to the realization of an exhibition project. For this reason review requirements before and after the installation of an exhibition where the projection is situated museum fictions present in the installation script, as well as the creation or intervention of the spaces or contexts that require work and exhibitions. The lecture is presented as an inquiry into the conceptual, operational, technical and logistical compromise the public staging of an exhibition
WORKING STRUCTURE IS AS FOLLOWS: FIRST DAY
Session 1
PRESENTATION ASSEMBLY AND PRODUCTION
museum design art as a social practice, is comprised of disciplines, professions and a range of fields, which are organized around different activities. Notions such as the artistic movement, wherein lies the public staging of artistic practices involving conceptual thinking and operational and logistical work that in many cases can not differentiate between whether a neat. In that vein the Chair aims to review the concepts of museology, artistic editing and production linked to the realization of an exhibition project. For this reason review requirements before and after the installation of an exhibition where the projection is situated museum fictions present in the installation script, as well as the creation or intervention of the spaces or contexts that require work and exhibitions. The lecture is presented as an inquiry into the conceptual, operational, technical and logistical compromise the public staging of an exhibition
WORKING STRUCTURE IS AS FOLLOWS: FIRST DAY
Session 1
A CONVERSATION INTRODUCTION STAGING ON PUBLIC DISPLAYS THAT WOULD BY TITLE: Improvements to
FILMS
talk with members of the group
FILMS
talk with members of the group
Session 2 Meeting and discussion with group members on the museum's curatorial approach. SECOND DAY
Session 3 CASE STUDY: PRODUCTION OF WORK IN SITU PRODUCTION vs
existing work session to meet and talk with members of the group on the status of that is the production of works
Session 4
CASE STUDY: TWO MODELS OF PRODUCTION OF SPACE
session to meet and talk with members of the group on the state in which production is and / or adaptation of facilities.
session to meet and talk with members of the group on the state in which production is and / or adaptation of facilities.
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